Subscribe to my podcast?
Sunday, June 28, 2009
The Nebraska Pop Festival
Here are a list of bands and times they are playing:
Thursday August 27th @ Barley Street. Start time 7:00PM with end time at 1:00AM
1. The Argyle Wishlist (Milwaukee, Wisconsin)
2. The Sleepover (Lincoln, Nebraska)
3. Magic Crayon (United Kingdom)
4. Honey and Darling (Omaha, Nebraska)
5. The Tinycakes (Chicago, Illinois)
6. Pennyhawk (Ames, Iowa) *
Friday August 28th @ The Waiting Room. Start time 7:00PM with end time at 1:00AM (ALL AGES SHOW)
1. Spiders For Love (Omaha, Nebraska)
2. Transmittens (Lawrence, Kansas)
3. Mr. and Mrs. Muffins (Jakarta Indonesia & Seattle, Washington)
4. Talking Mountain (Omaha, Nebraska)
5. Poland (Seattle, Washington)
6. Strega (NYC, New York)
Saturday August 29th @ The Waiting Room. Start time 7:00PM with end time at 1:00AM (ALL AGES SHOW)
1. Electric Needle Room (Omaha, Nebraska)
2. Jam on Bread (Manchester, United Kingdom)
3. Labrador w/ special guest Dereck Higgins on bass(Copenhagen, Denmark)
4. Mammoth Life (Lawrence Kansas)
5. Thunder Power (Omaha, Nebraska)
6. Cleemann w/ special guest Dereck Higgins on bass (Copenhagen, Denmark)
Sunday August 30th @ The Waiting Room. Start time 7:00PM with end time at 1:00AM (ALL AGES SHOW)
1. Sweet Pea (Omaha, Nebraska)
2. Probably My Son (Dallas, Texas)
3. Cowboy Indian Bear (Lawrence, Kansas)
4. At Land (Omaha, Nebraska)
5. The Mother Z's (Chicago, Illinois)
6. Darren Keen (Omaha, Nebraska)
* = newly added
Saturday, June 20, 2009
Casual Music Fans vs. Passionate Music Fans
There are two different kinds of music fans: Casual and Passionate
Casual fans make up the majority of music fans. They usually follow trends, and hardly ever go out of their way to discover new bands. Most often, they find out about new music from commercial radio stations, television shows, or movie soundtracks.
When they are teenagers, social pressure often dictates what they listen to. For example, if most of their friends are listening to Green Day, then it’s highly likely they are also listening to Green Day. They never go to live shows by themselves. Usually at least one friend would have to show interest in going to a show before they decide they want to go also. The typical casual fan’s interest in music peaks when they are in high school and college. This is when they are downloading the most songs and going to the most shows.
Speaking of downloading, that is the primary way in which they acquire music. For them, buying vinyl records or even CDs is just unheard of. They couldn’t care less that a WAV file sounds much better than an mp3 or that nothing quite sounds as pure as a recording on vinyl.
A causal fan never goes to a local band’s show unless they know someone either in the band or a friend of the band. They generally assume that most local bands remain “local” because they just aren’t good enough.
When a casual fan has a favorite song, they will listen to that song hundreds of times, yet still not become sick of it. In addition, if they hear a mediocre song hundreds of times, they will mostly likely grow to like it (as long as they can sing along to it), even if they first hated it.
When a casual fan gets older, they stop listening to music as much. They stop going to shows almost completely, except for the occasional arena show. They dump much of the music they listened to while they were younger, telling others that they’ve “outgrown” it. By the time they are in their thirties, they are listening to talk radio more than music on their way to work each day. Casual music fans are rarely musicians, but when they are, they usually give up playing instruments by this time.
***
Passionate music fans are the minority. Most are borderline obsessive compulsive when it comes to their personal collection. They can talk about music for hours at a time, often having conversations that seem pointless to casual fans. A casual fan wonders “who gives a crap?” when passionate fans argue who was more influential: The Pixies or Nirvana?
Passionate fans sometimes follow trends, but usually go out of their way to discover new music. They’d prefer that their favorite bands never get too big, for two main reasons:
a) so they can go to their shows without crowds or expensive tickets
b) so they can appear more hip or cool to others for liking such obscure (yet critically-acclaimed) music
They most often find out about new music from word of mouth, music magazines, and, most importantly, the internet. Web sites like Pitchfork and the Hype Machine are integral in finding out about the latest, greatest stuff before their friends do.
When they are teenagers, passionate fans most likely begin in the “casual fan” category, but then break out in reaction to societal pressure. When they find their niche, they cling to it like family and often become very narrow-minded with their tastes. For example, fans of death metal in high school generally share disdain for country.
This generally changes in college, however, as passionate fans begin to branch out to many genres of music, finding the universal appeal of qualities such as melody, harmony, and complex rhythm structures. A passionate fan generally doesn’t care if they are the only one in their group of friends that likes a certain band or artist. They’ll even go to live shows by themselves.
The passionate fan’s interest in music peaks usually in their twenties, but even after they settle down and start a family their interest never declines much. They never stop acquiring music, and often end up with a ridiculously large collection of CDs, vinyl records, and even obsolete formats like cassettes and 8-track tapes.
If a passionate fan likes a band, they will tell the whole world about it (as if the whole world really cared). They go to countless local shows, often treating local bands like rock stars before hype takes over. Because most passionate fans are musicians themselves, they empathize with other musicians trying to make a living doing what they love, while simultaneously envying other musicians when they achieve any sort of success that exceeds their own.
Most passionate fans eventually become disillusioned about mainstream music due to its appearance as a product, something meant to be consumed for profit without any regard for artistic integrity. Because of this, they are often called music snobs or elitists. By the time they are in their thirties, they are annoying casual fans due to their “childish obsessions.”
***
While there are many differences between casual fans and passionate fans, most of us come to like music a certain way. We are not born into this world with Godspeed You! Black Emperor blaring on our headphones. Our environment mostly controls our destiny, beginning with our parents. I think the natural inclination for kids is to rebel against their parents. Therefore, if your parents listened to New Order, it is simply not cool for you to listen to New Order. Instead, maybe some AC/DC or Black Flag will do.
Another obvious influence is friends. Never underestimate the power of peer pressure, especially during the tween stage, when kids often will stick their tongues in toasters if all their friends are doing it. The tween stage is critical- this is often when kids begin to find their own identity separate from their parents and/or siblings (although older siblings usually do tend to remain influential throughout the teenage years). Disney knows this. They have capitalized on it well.
Nearly all of us are introduced to music through mass media. Most kids aren’t going to check out Daytrotter or a college radio station on their own. There’s a transitional stage to get to that point because the more experimental the music is, the harder it is to get into it. Before I liked Sonic Youth, I had to like Weezer, and before I liked Weezer, I had to like Hootie and the Blowfish.
By the time we are in high school, we think we’ve got it all figured out. Both casual and passionate fans completely disregard entire genres, simplifying kinds of music into neat categories. Going to live shows is mostly a social activity for teens. Songs are downloaded mostly on impulse. It is also during this stage when passionate fans and casual fans begin to materialize into two distinct groups. Sometimes, one may not become a passionate fan until much later in life, but usually by the time one is in their twenties, they are on a direct track and usually don’t even think about getting off that track.
Casual fans make up the majority of music fans. They usually follow trends, and hardly ever go out of their way to discover new bands. Most often, they find out about new music from commercial radio stations, television shows, or movie soundtracks.
When they are teenagers, social pressure often dictates what they listen to. For example, if most of their friends are listening to Green Day, then it’s highly likely they are also listening to Green Day. They never go to live shows by themselves. Usually at least one friend would have to show interest in going to a show before they decide they want to go also. The typical casual fan’s interest in music peaks when they are in high school and college. This is when they are downloading the most songs and going to the most shows.
Speaking of downloading, that is the primary way in which they acquire music. For them, buying vinyl records or even CDs is just unheard of. They couldn’t care less that a WAV file sounds much better than an mp3 or that nothing quite sounds as pure as a recording on vinyl.
A causal fan never goes to a local band’s show unless they know someone either in the band or a friend of the band. They generally assume that most local bands remain “local” because they just aren’t good enough.
When a casual fan has a favorite song, they will listen to that song hundreds of times, yet still not become sick of it. In addition, if they hear a mediocre song hundreds of times, they will mostly likely grow to like it (as long as they can sing along to it), even if they first hated it.
When a casual fan gets older, they stop listening to music as much. They stop going to shows almost completely, except for the occasional arena show. They dump much of the music they listened to while they were younger, telling others that they’ve “outgrown” it. By the time they are in their thirties, they are listening to talk radio more than music on their way to work each day. Casual music fans are rarely musicians, but when they are, they usually give up playing instruments by this time.
***
Passionate music fans are the minority. Most are borderline obsessive compulsive when it comes to their personal collection. They can talk about music for hours at a time, often having conversations that seem pointless to casual fans. A casual fan wonders “who gives a crap?” when passionate fans argue who was more influential: The Pixies or Nirvana?
Passionate fans sometimes follow trends, but usually go out of their way to discover new music. They’d prefer that their favorite bands never get too big, for two main reasons:
a) so they can go to their shows without crowds or expensive tickets
b) so they can appear more hip or cool to others for liking such obscure (yet critically-acclaimed) music
They most often find out about new music from word of mouth, music magazines, and, most importantly, the internet. Web sites like Pitchfork and the Hype Machine are integral in finding out about the latest, greatest stuff before their friends do.
When they are teenagers, passionate fans most likely begin in the “casual fan” category, but then break out in reaction to societal pressure. When they find their niche, they cling to it like family and often become very narrow-minded with their tastes. For example, fans of death metal in high school generally share disdain for country.
This generally changes in college, however, as passionate fans begin to branch out to many genres of music, finding the universal appeal of qualities such as melody, harmony, and complex rhythm structures. A passionate fan generally doesn’t care if they are the only one in their group of friends that likes a certain band or artist. They’ll even go to live shows by themselves.
The passionate fan’s interest in music peaks usually in their twenties, but even after they settle down and start a family their interest never declines much. They never stop acquiring music, and often end up with a ridiculously large collection of CDs, vinyl records, and even obsolete formats like cassettes and 8-track tapes.
If a passionate fan likes a band, they will tell the whole world about it (as if the whole world really cared). They go to countless local shows, often treating local bands like rock stars before hype takes over. Because most passionate fans are musicians themselves, they empathize with other musicians trying to make a living doing what they love, while simultaneously envying other musicians when they achieve any sort of success that exceeds their own.
Most passionate fans eventually become disillusioned about mainstream music due to its appearance as a product, something meant to be consumed for profit without any regard for artistic integrity. Because of this, they are often called music snobs or elitists. By the time they are in their thirties, they are annoying casual fans due to their “childish obsessions.”
***
While there are many differences between casual fans and passionate fans, most of us come to like music a certain way. We are not born into this world with Godspeed You! Black Emperor blaring on our headphones. Our environment mostly controls our destiny, beginning with our parents. I think the natural inclination for kids is to rebel against their parents. Therefore, if your parents listened to New Order, it is simply not cool for you to listen to New Order. Instead, maybe some AC/DC or Black Flag will do.
Another obvious influence is friends. Never underestimate the power of peer pressure, especially during the tween stage, when kids often will stick their tongues in toasters if all their friends are doing it. The tween stage is critical- this is often when kids begin to find their own identity separate from their parents and/or siblings (although older siblings usually do tend to remain influential throughout the teenage years). Disney knows this. They have capitalized on it well.
Nearly all of us are introduced to music through mass media. Most kids aren’t going to check out Daytrotter or a college radio station on their own. There’s a transitional stage to get to that point because the more experimental the music is, the harder it is to get into it. Before I liked Sonic Youth, I had to like Weezer, and before I liked Weezer, I had to like Hootie and the Blowfish.
By the time we are in high school, we think we’ve got it all figured out. Both casual and passionate fans completely disregard entire genres, simplifying kinds of music into neat categories. Going to live shows is mostly a social activity for teens. Songs are downloaded mostly on impulse. It is also during this stage when passionate fans and casual fans begin to materialize into two distinct groups. Sometimes, one may not become a passionate fan until much later in life, but usually by the time one is in their twenties, they are on a direct track and usually don’t even think about getting off that track.
Monday, June 15, 2009
The Wire - More real than reality television
I finished watching HBO's The Wire over the weekend, and I think it's safe for me to say it's my favorite television series of all time. I bought myself the entire series (the box set) last Christmas, and did something I rarely do- sat down and watched every second of every episode in order from beginning to end. That's some 3600 minutes. I was glued to the television the entire time. If I was interuppted, I would promptly pause the DVD player so that I wouldn't miss a moment. I had never seen anything quite like it.
What makes The Wire different from practically every other TV show is the fact that it is realistic. I mean, truly realistic. If I ever ran into one of the actors who played these complex characters I would call them by their character's name, not their real name, because that's how genuine each and every one of them was when they played their role. Even minor characters who only had a few scenes were impressive. In fact, I know now that many of the minor characters were just regular people from Balitmore who wanted to be part of history. The show isn't just about good guys vs. bad guys. It's about the good and bad in everyone. No character is purely good, although there are at least a couple who I would say are purely evil. It's about how everything- from the police department, to the local government, to the schools, to the media, to the ports, to the people actually living and dying on the streets, are connected. These are all real people just trying to survive.
My friend and I were talking about how the show never won an Emmy, or never received high ratings when it was on the air. While I've never read a bad review of the show, many of my friends and relatives have never even heard of the show. I remember reading a review of it in Entertainment Weekly in 2006, where they called it "the greatest show on television." At the time, I thought "what's this show?" but I know I wanted to eventually check it out because I'd never seen a review so positive before. I eventually began watching clips of the show on Youtube, and soon realized that this was something different. This show is bigger now than it ever was when it was on the air, and I think that's mostly based on word of mouth. In 100 years, I feel that people will still be talking about it(if people are still around then) and even lumping it in the same category as classic works by Shakespeare and the Beatles.
I think the main reason why this show was never that popular is because it is too realistic. Ignorance is bliss. People rather turn on their TV sets or go to the movie theatre to escape reality, not encounter it. Reality TV? Everyone knows it's about as fake as fictional TV or even much of our so-called "news." People don't want to know the truth, because that means they might actually have to do something about it. But they have themselves to worry about already.
This show has changed my life and opened up my eyes. I now have a mission to let as many people as possible know about this wonderful series.
What makes The Wire different from practically every other TV show is the fact that it is realistic. I mean, truly realistic. If I ever ran into one of the actors who played these complex characters I would call them by their character's name, not their real name, because that's how genuine each and every one of them was when they played their role. Even minor characters who only had a few scenes were impressive. In fact, I know now that many of the minor characters were just regular people from Balitmore who wanted to be part of history. The show isn't just about good guys vs. bad guys. It's about the good and bad in everyone. No character is purely good, although there are at least a couple who I would say are purely evil. It's about how everything- from the police department, to the local government, to the schools, to the media, to the ports, to the people actually living and dying on the streets, are connected. These are all real people just trying to survive.
My friend and I were talking about how the show never won an Emmy, or never received high ratings when it was on the air. While I've never read a bad review of the show, many of my friends and relatives have never even heard of the show. I remember reading a review of it in Entertainment Weekly in 2006, where they called it "the greatest show on television." At the time, I thought "what's this show?" but I know I wanted to eventually check it out because I'd never seen a review so positive before. I eventually began watching clips of the show on Youtube, and soon realized that this was something different. This show is bigger now than it ever was when it was on the air, and I think that's mostly based on word of mouth. In 100 years, I feel that people will still be talking about it(if people are still around then) and even lumping it in the same category as classic works by Shakespeare and the Beatles.
I think the main reason why this show was never that popular is because it is too realistic. Ignorance is bliss. People rather turn on their TV sets or go to the movie theatre to escape reality, not encounter it. Reality TV? Everyone knows it's about as fake as fictional TV or even much of our so-called "news." People don't want to know the truth, because that means they might actually have to do something about it. But they have themselves to worry about already.
This show has changed my life and opened up my eyes. I now have a mission to let as many people as possible know about this wonderful series.
Subscribe to:
Posts (Atom)